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Sonam Bajwa is likely one of the main names in Pollywood business. The sultry actress is presently gearing up for her subsequent launch ‘Godday Godday Chaa’. In an unique interview with India TV, the actress revealed that she has confronted discrimination in her own home due to her darkish pores and skin. Recently, many actresses from the Punjabi movie business are opening up concerning the ill-treatment they’ve been facing. A couple of days in the past everybody’s favorite Shehnaz Gill talked about how she was ill-treated in the Punjabi Film Industry aka Pollywood and was not invited to the screening of her own movie.
Following this, Sonam additionally revealed that she was faraway from the movie with out even telling her. Sonam Bajwa informed Siddharth Kannan that she was additionally sidelined in the business nevertheless it didn’t matter to her as a result of she had seen the worst in her childhood. The actress stated that she was discriminated towards due to her darkish pores and skin and that her family members used to not invite her to their home when she was a toddler. However, her success modified their habits towards her.
Sonam added, “The only thing we can do is we don’t ever become like them. So yes, people have sidelined me, and that too at an age, where you don’t understand why they were doing this.” Talking concerning the Punjabi business, she elaborated, “I have also experienced that the makers would remove me from a film and not even let me know, so I have been through such times, but it doesn’t affect me much.”
Meanwhile, Releasing on May 26, ‘Godday Godday Chaa’ is a Vijay Kumar Arora directorial. The movie has been written by Jagdeep Sidhu, whose work is appreciated in each Bollywood and Pollywood. Further, it stars Tania, Sonam Bajwa, Gitaz Bindrakhia, and Gurjazz in the lead. It is a full-family entertainer speaking concerning the patriarchal rule of not letting girls be a part of a ‘barat’ in Punjab again in the day.
The movie follows the mission of Sonam Bajwa across the time when girls weren’t allowed to attend the Baraat ceremony throughout Punjabi weddings attributable to male dominance. Despite facing suppression, the ladies in the film yearn to attend the ceremony and plan to sneak in, defying the societal norms that limit them.
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